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The performer/protagonist has to negotiate multiple preconceptions in the very formulation of who he is and how he presents himselfand the profound instability of that in a homophobic, racist, and classist environment, ones that can easily lead to translocura (transmadness). In this way, the author adds, quoting the Puerto Rican critic Gilberto Blasini, the body becomes the main textual terrain for the exploration of issues and politics related to politics, subjectivity, nationality, sexuality, and aesthetics, among many others. Subscribe to the LGBTQ Nation newsletter and be the first to know about the latest headlines shaping LGBTQ+ communities worldwide.