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However, Malaguzzi Valeri notes that like Solari did not bother to reproduce the true traits of Beatrice, having to the funeral statue be placed at the top of a monument and therefore seen from below and from afar, so the unknown and coarse painter of the Sforza Altarpiece altered the physiognomy of Beatrice compared to the refined original drawings of Ambrogio de Predis, hardening the features of the face to make it almost unrecognizable: "he preferred to take care of the accessories of the dress with infinite monotony, so that the duchess, more than a living person, appears a doll too adorned"

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