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The town saw better days a long time ago, its very worn at the edges, and this is where the art departmentProduction Designer Roger Ford, Set Decorator Lisa Thompson SDSA, Art Director Lucinda Thomson, Propmaster Jane Murphy and their teamsreally came into play, because everything was built brand new, and had to be aged to look decrepit and windswept. We didnt try to make it 1950s, we actually went back before that because we wanted the impact of Tilly arriving back from Europe with her beautiful 50s dresses to be in huge contrast with the grotty little aging town, Ford points out

Front: 52"

Filming Queer Eye was one of the most vulnerable things Ive ever done, Alison tells Tudum