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echoing the distortions and voids that define Bacon’s originals and placing the diptych in dialogue with a broader history of artistic reinvention in contemporary art
The phrase can be interpreted as a comment on climate change and the destruction of species’ habitats
The figure’s gaze
Through his collaborations with Case Studyo
Farandole 17 Marilyn Monroe echoing the distortions and voidsLithograph on Gvarro paper hand signed and numbered in pencil by the artist. Edited and published by Polgrafa, Barcelona, in 1971.
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