Flair by Dan Hobday Gallery Wall In the Woods producing a sense of three-dimensional

producing a sense of three-dimensional volume rarely achieved in photography of that era

A spare composition of assembled fragments suggests certainty without declaration — the visual equivalent of a held gaze

There is a collage-like sensibility at work here: the image feels assembled rather than drawn

The sunset isn't depicted literally but suggested through color temperature alone

Flair by Dan Hobday Gallery Wall In the Woods producing a sense of three-dimensional'Flair' by Dan Hobday is minimalism in motion an abstract composition that uses restraint as its primary tool. Soft, atmospheric colour fields give way to deliberate gestural marks, creating a sense of quiet movement and considered calm. Hobday's Devon influenced sensibility is present throughout: unhurried, refined, and entirely without pretension. The portrait format suits the work's meditative quality, letting the eye settle and wander in equal